{"id":160,"date":"2019-05-28T06:10:42","date_gmt":"2019-05-28T04:10:42","guid":{"rendered":"https:\/\/ada-sub.rotefadenbuecher.de\/?p=160"},"modified":"2023-03-24T09:08:33","modified_gmt":"2023-03-24T08:08:33","slug":"panel-friday-few-edited-notes-for-your-homework","status":"publish","type":"post","link":"https:\/\/ada-sub.dh-index.org\/blog\/panel-friday-few-edited-notes-for-your-homework\/","title":{"rendered":"09224.ps: panel friday. few edited notes for your homework."},"content":{"rendered":"<h4>1. daniel rosenberg<\/h4><ul><li>stop list. pioneer hans peter luhn, KWIC, 1958<\/li><li>concordancen&#8230;, einzige m\u00f6glichkeit, to avoid irrelevant word in index<\/li><li>lorraine daston, science in the archive<\/li><li>alexander cruden, 1737, concordance<\/li><\/ul><h4>2. gloria meynen, zeit des archiv &#8211; zeit des b\u00fcros; feedback loops?<\/h4><ul><li>cornelia fissmann, (etymologie archiv)<\/li><li>protokollieren von: beisammensein, verhandlungen<\/li><li>akten: zustandekommen nicht dokumentiert (antike\u2026); urspr\u00fcnglich keine metadaten<\/li><li>tabularium: tafeln, wachstafeln, ablage: urkunden, zeugen statt (acta). vorform d. archivs<\/li><li>ordnung&#8230;, reinigung: anf\u00e4nge der kanzelierung: (officialeses?) strichung, signaturen, (marginalien)&#8230;, gitterschrift: z\u00e4sur, abtrennung d. inhalts vom akt der archivierung -&gt; metadaten<\/li><li>auf abruf abgelegt: notwendigkeit erzeugt relevanz<\/li><li>nadelholz&#8230;, spieszordner, biblo, rapto&#8230;, (tacker, b\u00fcroklammern)<\/li><li>7.11.99 b\u00fcroklammer emerges aus (nadeln)<\/li><li>nicht konservierung, sondern zirkulation<\/li><li>leitz 18.7.85, erfindung d. klassischen -blechordners- mit hebelmechanismus<\/li><li>liegende ordnung der deckel: kanzleibl\u00e4tter<\/li><li>ablageform erzwingt regale, b\u00fcros; horizontale-vertikale ordnung<\/li><li>(desktop&#8230;)<\/li><li>hypertextbuch, index erm\u00f6glicht querzugang<\/li><li>(allen turin): k.a.<\/li><li>best\u00e4nde weggeschlossen in propriet\u00e4res format, digitales archiv ada,<\/li><\/ul><h4>3. (doreen mende)<\/h4><ul><li>der gew\u00f6hnliche faschismus, iris gusner, angela davies<\/li><li>realismus des archivs vs. reali(t\u00e4t&#8230;) -&gt; k.a.<\/li><li>die taube auf dem dach&#8230;, k.a.<\/li><li>liebe iris gusner, videobrief, \u00fcber lebenswerk commeca\u2026<\/li><\/ul><h4>4. nora sternfeld<\/h4><ul><li>das radikaldemokratische museum<\/li><li>kader attia<\/li><li>reactfeminism.org<\/li><li>cornelius cardew; scores musicale<\/li><li>historisches material als potenzial der gegenbewegung<\/li><li>VKB\u00d6 archiv, wien<\/li><li>bildwechsel.org<\/li><li>interference archive, new york, brooklyn<\/li><li>k\u00f6rperlichkeit und (erinnerlichkeit?) von archiv, von erinnerung<\/li><li>let it be known, gegengeschichte der afrikanischen diaspora, wien<\/li><li>linz, rebellinnen, hochschule textilgestaltung, bustouren, leseperformances, lieux: erste feministische besetzung(occupation)<\/li><li>auseinandersetzung mit der zeit mozarts<\/li><\/ul><h4>actualising archives by economising and privatising knowledge<\/h4><ul><li>harald szeemann, switzerland, beatrice v. bismarck<\/li><li>archives and commons<\/li><li>\u00f6konomien der enteignung, alles zu privateigeintum, hier: umgekehrt -&gt; institutionalisierung<\/li><li>-all of this belongs to you-, britische nationalsammlung; exhibition<\/li><li>belinda kazeem-kaminsky<\/li><li>nancy frasier; working class, zug\u00e4nglichkeit&#8230;<\/li><li>colonial bourgeoisie: auch underprivileged inherit hierarchy.<\/li><li><em>graub\u00fcnden, unknown artist, im archiv aufgenommen&#8230;, institutionalising outsiders<\/em><\/li><li>difference between instituting\/institutionalising<\/li><li>archivemania&#8230; (nom)<\/li><li>dokumenta intitute: no contempt of radikal&#8230; democracy<\/li><\/ul><h4>5. arsenal, film, migrating the archive&#8230;, moderation stefanie schulte strathaus, filipa cesar, filmmaker&#8230;<\/h4><ul><li>subtitles on analogue film: to be removed when returning them to the country of origin<\/li><li>tamer el said, symatec (cinemateque?) kairo film archive, lot of donations, cinematek!<\/li><li>material: censorship comments, list of banned films: <em>how had come legal? lm<\/em><\/li><li>1954 same idea raised to establish a cinematek<\/li><li>reread narratives, to which extend these film represent people in a way they can be happy with<\/li><li>vega, schimpanse im leningrad zoo, arab film in english, <em>weirdpointofview: pushing up of exhibit charakter. even more in the film, since made in english, lm<\/em><\/li><li>m\u00f6nch film afrika; portrait of indigenes <em>question of how advertising (the jesuit mission) or unpretentios it is, how is reality depicted&#8230; one cannot know for example werbefilmchen of today in the future, their interpretation\u2026; picture of reality? next: bauchtanz: as pornos\u2026? it is like that, plus with male\/female actors, soit: queer filmchen; <\/em>provenience: egypt family in america;<em> lm<\/em><\/li><li>politica, connotation, external view, britain on egypt, zeit: saddat, demonstrationen, <em>communist plot? lm<\/em><\/li><li>60ies, palestinians in berlin, gdr&#8230;ostwerbefilm&#8230;<\/li><li>archive fever, book<\/li><li>the digital as a form of archive&#8230;,<\/li><li>generell: \u00e4gyptische cinematek soll nach berlin. punkt. warum? inclusion\/exclusion of audience, accessibility, teuer, eigentlich aufgabe des staates, nicht vom filmemachern (all three involved)\u2026,<\/li><li>how the archive is echoing, echochamber, evolving, the living archive<\/li><\/ul><h4>. disk.<\/h4><ul><li>how relevance encounter archives<\/li><li>berlinale forum&#8230;<\/li><li>relevance: production context, where the stuff is coming from, footage, process of decisionmaking, no money, guerilla process of digitisation, material geht dabei kaputt, prototype uralte maschinen, digitize the conditions of material as well; scratches etc&#8230;, pathology of film, footage charakter erhalten,<\/li><li>zeit, placing location: when burning dvds, access: no digitalization in guinea, is the archive a mirror: (instead of a mirror?)<\/li><li>reproducing images\u2026; no personal interest by originals,<em> compare to germany, lm<\/em> no prisoned egyptians necessary to see by (originals)<\/li><li>q:<em> what is the job for the archive for the locals? does the translocation not destroy the materiality of the archive itself.<\/em><\/li><\/ul><p>okay, to more (elaborate) on (content) i was not able&#8230;, perhaps anybody can use this for his doing of what he*s up to do tropsdem&#8230;<\/p><p>bithewai: good morning, aarkvista. i&#8217;m out&#8230;, for begonia semperflorens which is eisbegonien maintenant&#8230;<\/p><p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>1. daniel rosenberg stop list. pioneer hans peter luhn, KWIC, 1958 concordancen&#8230;, einzige m\u00f6glichkeit, to avoid irrelevant word in index lorraine daston, science in the archive alexander cruden, 1737, concordance 2. gloria meynen, zeit des archiv &#8211; zeit des b\u00fcros; feedback loops? cornelia fissmann, (etymologie archiv) protokollieren von: beisammensein, verhandlungen akten: zustandekommen nicht dokumentiert (antike\u2026); &hellip; <a href=\"https:\/\/ada-sub.dh-index.org\/blog\/panel-friday-few-edited-notes-for-your-homework\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;09224.ps: panel friday. few edited notes for your homework.&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_lmt_disableupdate":"","_lmt_disable":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-160","post","type-post","status-publish","format-standard","hentry","category-panel-notes"],"acf":[],"modified_by":"esteeschwarz","jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/posts\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/comments?post=160"}],"version-history":[{"count":1,"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/posts\/160\/revisions"}],"predecessor-version":[{"id":1914,"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/posts\/160\/revisions\/1914"}],"wp:attachment":[{"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/media?parent=160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/categories?post=160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ada-sub.dh-index.org\/blog\/wp-json\/wp\/v2\/tags?post=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}